Sweet Violet Dream

We are, of course in the throes of summer, but just a few weeks ago I snapped this picture of one of the early harbingers of spring. I was thinking about a new quilt project and I remembered a gorgeous poinsettia pillow from the Crafty Quilter. Inspiration struck — what if I could make a wildflower pillow?

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A wild violet before it goes back to sleep.

Did you know that violets are edible? Here are few more violet facts.

I have to confess once again to my love of the color purple. This project gave me an excuse to find just the right hue of purple — not blueish, not pinkish, not mauvy –my fabric had to be just the perfect vibrant purple. I found a beautiful dotted Swiss for the flower and then stumbled upon an understated purple and green paisley to use for the background.

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Love this fabric purchased from the charming Barefoot Quilter shop in Rushford, NY. It is so mesmerizing that I had to buy it twice not because I a made a cutting error…

I drew the pattern on freezer paper first, then decided to use fusible applique as the foundation. So I traced, labeled and cut out the pieces again.

 

Next I ironed the pattern pieces onto the wrong side of the fabric, using scraps for the stem and anther? stamen? I wish I knew more about flowers…

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Sometimes I love my fabric so much I really hate to cut it. Does that ever happen to you?

 

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Cut out the center of applique shapes to lighten the finished product.

Then I placed all the cut-out pieces on my 10.5″ background square, peeled off the paper back, and ironed the first layer of the flower into place.

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This may look upside down, but it’s really not. It’s purposefully positioned as if you were standing above the violet in the forest. Or I can’t figure out how to make this picture rotate. One of these is the correct answer.

I used a zig-zag stitch to set them in the quilt. I added a few simple borders and now I’m ready to quilt.

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A series of farm-inspired wildflower mini quilt patterns is rolling around in my head. Stay tuned!

Vegetable Day Dreams

It’s about 150 degrees here in central Ohio with 99.99% humidity.  Okay, I might be exaggerating just a little!  Me, I am day dreaming about all the sweet corn that is growing tall in all this heat and humidity.  Sweet corn from the mid-west is a culinary delight.  I always freeze a dozen or two so I can use it for soups and special dinners throughout the winter.

While I am waiting for the sweet corn to ripen, lots of fresh, local produce is available and I am just loving it!  Speaking of vegetables…I wanted to share this adorable quilt with you, you can find the pattern here:  Purl Soho Quilt Pattern.

Sandy made a similar quilt for a friend who is a horticulture instructor.  Once I saw it, I had to be a copy cat!  It was fun looking through my scraps to find just the right fabrics for each vegetable.  I used mostly batik scraps and a few others that were too cute to resist, like the carrot leaf fabric!

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The butterfly isn’t included in the pattern, but I added one just for fun.  I found this yellow and white fabric that had navy spots in just the right place for a butterfly!  I embroidered the antennae in navy blue pearl cotton thread because it has a smoother finish than regular embroidery thread.

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I added some french knots (using pink pearl cotton thread) to the garlic blossom for more visual interest.

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I used more pearl cotton for the onion and garlic roots.  I love my dark fuchsia beet!

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Maybe you have vegetable dreams of your own that have turned into quilts!  Let us know what they are!

Treasured Past

This quilt was made by my great-grandmother and most likely other family members too!  I used this as a bedspread while I was growing up on the farm.  It could be the reason I love the color green!  I never knew my great-grandmother but I treasure this quilt!  It is so worn and so loved and this is what inspired me to learn the art of quilting.

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This antique treasure is hand pieced and hand quilted.  The cheddar and green combination is such a nice contrast, I wonder if someone wore a shirt in cheddar and used the leftovers for quilt pieces?  I wonder if coral is the modern take on cheddar?  I like the little yellow stars in the green border print.

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The binding is made from a navy blue fabric with the tiniest of tiny white polka dots.  You can see it’s really worn after so much use.  The backing is a plain tan fabric that is a bit heavier than our muslin today.  I wonder if this green plaid fabric was left over from a work dress?  Maybe an apron?  Maybe dish towels?

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Most likely the dyes in the fabric helped the pieces deteriorate over time but I just love the little red flowers on the gray/blue background!  Maybe this was used for a cute little toddler dress for my grandmother!

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More cute little red flowers on a tan background!  Any how about the red and white stripes to match?  I am imagining the red and tan floral fabric was used to make a play dress for my grandmother and then she had a matching striped apron to go and gather eggs.

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Someone in our family loved red!  Maybe this red and tan plaid fabric was used to make a long skirt or fancy shirt waist?

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These tiny prints in blue and red are so cute!  Maybe they were used as accent fabrics, or for bonnets or for summer dresses?  It’s fun to imagine!

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It is comforting to know Sandy and I inherited our love of quilting from the women in our family.  I imagine while they were making these quilts they hoped future family members would love these special quilts.  How right they were!

What to do, what to do….

I remember growing up and loving the sun and the heat of the summer. The farm sits on the top of a hill and the house is positioned just under the crest of the hill. The breeze on that hill is fantastic in the summer (we’ll leave a discussion about the winter ‘breeze’ for another time).

Since I was the toughest, it was my job to be in the hay mow stacking bales when we were making hay. That mow was dark, stuffy, and unbearably hot as the sun beat down on the barn’s tin roof. Small pieces of loose chaff would hang and dance in the air. It would take us about half an hour to unload and stack a load of hay. When we were finished, stepping outside and catching that fresh breeze was heavenly. It would wick the sweat right off my arms and lift the fine hair off the back of my neck.

As you may recall, I have three sisters. The job for Cindy and our oldest sister was to unload the wagon and send the bales up the elevator to the mow. Where was the youngest sister you might ask? Well — it was her job to sit by the switch that ran one (but not both) of the elevators and write poetry while we worked. I’m serious. While I was sweating like a farm hand and trying to work as hard as my dad, while my other sisters were extricating 50 lb bales from the Jenga jumble of bales on the wagon, little sister was at the ready in case the elevators needed to be turned off. Writing poetry. This arrangement is the basis of many possible years of therapy.

My mother hated the heat then and she still does. Her frequent refrain in the summer was “stinking, rotten hot”. As we grew older the phrase became “friggin hot”. We used to laugh when she said it, because we couldn’t understand that it truly could be too hot. One time when my son was about 2 years old we were driving back from Buffalo and I heard this sweet little voice declare “it’s so friggin hot back here”. It was about that time that I decided that he was spending just a little bit too much time with Grandma!

Although I haven’t been in that hot hay mow for 14 years, I can still smell it, hear it and feel it. This heat wave reminds me of it and the blessings bestowed by that hard work.

Tonight, stripped down to my skivvies (no pictures, I promise), in a morass of stinking, rotten heat,  I ironed this project just so I could get an opinion on what do do with it. I made this baby wall hanging with a farm fat quarter bundle that I bought some time ago. I added the Holstein print and the blue jean blocks and sewed it up quick. Then I hated it. I was going to gift it to my sister’s friend who had a baby, but I hated it so much that I pretended that it was never finished. The baby is at least two now and I feel so guilty. It’s been floating along in my sewing closet for a while and now it needs to get finished or get gone.

What do you think? Is there a fix (for the baby quilt, not the heat)?